I make paintings about belief: how it forms, how it structures perception, and how it quietly governs the way we experience reality.
My work draws from archetypal imagery, nature, and the human figure to create images that feel familiar but not fixed. These are not depictions of specific people or places, but thresholds between the physical world and the psychological one. The tension between realism and abstraction mirrors the tension between what is seen and what is understood.
Though trained in observational painting, I no longer work strictly from life. I build images from observation, memory, distortion, and reconstruction—pulling from multiple sources and reducing them into essential forms. This process moves the work away from description and toward something symbolic and universal.
My background in psychology and long engagement with religious, spiritual, and philosophical systems informs the work. I focus on how these frameworks shape perception, behavior, and identity without conscious awareness.